My name is Sofia. I tend to feel a personal responsibility for the human condition, and in this sense I like the following words from Manlio Argueta: "Hope nourishes us. Not the hope of fools. The other kind. Hope when everything is clear. Awareness."

I am originally from Romania and find myself a Stanford University graduate in the class of 2024, where I wrote my thesis on the role that emerging technologies can play in decentralizing traditional, vertical power structures (like a gov.), particularly in conflict-affected areas. The title of the school matters less to me than the people I learned with there, who I continue to build with today. To the devastation of my academic advisor, I had a tendency to leave Stanford for entire weeks during every single quarter to Be in The World.

To Be in The World during undergrad meant doing disarmament, mediation, reconstruction and peace-building work in war and conflict areas. For entities with varying degrees of power, from United Nations agencies to formalized groups of international human rights lawyers to informal victim groups in the very communities I worked in, I led fact-finding on mass atrocities, collected unreported victim testimonies for prosecution, drew up plans for physical and social infrastructure reconstruction, assisted with local disarmament procedures. I am experienced in mediation between groups, including victim-perpetrator dynamics.

This I have learned through varying operations in Kenya, Ethiopia, Sudan, Libya, Rwanda, Ukraine, Peru, Venezuela, where I traveled alone and made many friends. I was inside Tigray/Amhara region after the war ended in 2022. I did my work, but never strayed from the real life that was unfolding and continuing around me in those places: I've stopped to join dance circles on the side of an Axum highway, have done "Young Hearts Break Free" in a village karaoke bar with locals, spent time with everyone, sculptors and grocery store clerks and engineers and public servants in languages from Swahili to Google-Translated-Nepalese, shared a chocolate milkshake with a former gang leader in the informal settlements of Nairobi. I like earnest, unconventional adventures.

I have led changes to international conflict-related policies, including the European Union's Children Trapped in Armed Conflict Act. I've assisted with building impact evaluations for cash transfer assistance interventions for the World Bank. At age 19, I was a speechwriter for the Prime Minister of Iceland, writing her communication to heads of state and government across the globe. Aged 20, I was invited to speak before the UN and member states on the gendered impacts of technology in war areas (at CSW67).

Prince William personally handed me an award for the above mentioned work. On stage, shaking his hand in front of press and other royalty from across the globe, I asked him if he liked AC/DC (he had walked up on stage to Thunderstruck). He answered "no."

I feel courageous as a sleepwalker who simply goes. If there are things I feel I must know or see, I will spend the next few hours of that day making a plan to be executed the next day. I learn and adapt with adrenaline, without hesitation. At the end of freshman year of high school, I decided overnight I needed to drop out, then spent the next 3 years building Romania's largest social impact organization. If something does not exist, I will make it. Finding myself in Kenya during the emergence of the 2024 Finance Bill protests and subsequent abductions, I picked up my camera, bought several SD cards that I later hid in various parts of my home and clothing, and began to interview the abducted protesters who managed to return home.

Today, I am 22 and live in New York City, soon plan to be in Mali, partly because I love desert blues. I box and can fly a plane, but cannot drive a car. I read a book a day on average and have the greatest family in the world. They read too. Every time I start a new book, I write down on its cover the place and context I am in when I begin it. On "The Years" by Annie Ernaux, read in June 2023, I wrote "I have never been happier than I am today, at 3am, at this cafe in Paris with Carmen [my best friend on all levels of reality]. Life is beautiful. Wait for it."

I speak Romanian, English, Swahili, French, Latin, Russian, in this order of fluency. Write to me in them, say hello.

There's more about me I am forgetting. Identity is not progressive or an isolated system.

My X account is @sofia_scarlat. My Obsidian is https://publish.obsidian.md/sofiasuperwell/. You can email me at scarlatsofia@gmail.com.

Sofia

thesis and projects

My thesis in linear form:

How do we solve cooperation?

Started asking this at 13 — my foundational pursuit, remaining the most important one. Dropped out of high school in rural Romania. The tectonic plates of our worlds appear to be colliding with one another with increasing intensity. Things and their images do not align. The need for meaningful cooperation today becomes existential. (My good friend Ivan phrases this aptly: "Solve cooperation. Use it to solve everything else.")

Answer from ages 13-22 by: going to the places with the highest tension and constraint — warzones, conflict zones, fragile post-conflict states — places where there is no infrastructure for collaboration, no shared framework. Test there. Learn there. If something works there, it can work anywhere, with the fewest resources and the most reduced personnel.

Learn: safety is a prerequisite for new ideas, for the distribution of information, for collaboration.

But also:

When we fail to produce truly new ideas — when we stop imagining alternative realities — society begins to decay. A society that cannot imagine utopia (not necessarily build it, but do the work to imagine it) is a society that will collapse.

So what does that process of imagining look like?

At its core: thought-to-thing.

Reducing the latency between those two states — between a spark of thought and its externalization into the world — increases human flourishing and community agency.

But where do the truly new thoughts come from?

What enables us to generate, select, or receive the right ones?

In part, we return to safety + opening up plural, robust communication channels.

But also:

We can "borrow" ideas from the future.

How?

By finding prefigurative futures already living in the present. The future is always here, but needs to be illuminated by perception.

(Perhaps a notable tangent here is that it might be possible to prematurely illuminate truths, to witness futures too early for the world such as premature scientific discoveries — but that's a different story and can be discussed at a different time.)

My best guess on where to find them: these futures live in what I call the "in between spaces."

What Basarab Nicolescu might call "zones of non-resistance."

"There is a crack, a crack in everything — that's how the light gets in." — Leonard Cohen

To ground this: these "cracks" can be found, for instance, between disciplines — the conceptual no man's land that resists neat categorization. Another example is the space between the subject/object division.

And what do we find there?

In my experience, all throughout history, technology, aesthetic systems, process.

Not as artifacts, but as membrane.

Technology is what emerges in the spaces where disciplines fail to dominate — it is the glue, the method, the refracted light.

So this is where I arrive today:

To solve cooperation, we must build the future with the sense of:

  • Technology as process — a process for producing truly novel thought.
  • Technology as illumination — a way to see the future already here.
  • Technology as scaffolding for alternative realities — not imaginary, but unrecognized.
  • Technology as embedded safety — the infrastructure that enables a thought-to-thing process to occur.
  • Technology as the mechanism to reduce the latency of that process.

As such,

Technology not as machine, but as cognitive embroidery — which I feel to be more of an artistic process, a way to break down the eternal wall between minds. This is the prerequisite condition for the healthy functioning of a cooperative society.

My outgoing and current projects

  1. AI as a cooperation mechanism: legal AI platform for cross-jurisdictional war crime prosecutions — will serve over 250 000 prosecutors in over 175 countries.
  2. Radio as communal cognition/ interface between oral memory and machine perception: this project turns local radios into a living time machine and offer a way for communities to listen to themselves evolve. Inspired by Audrey Tang's work in Taiwan, I'm archiving and analyzing transmissions to create participatory memory systems that resist erasure. It's both a technical and metaphysical pursuit.
  3. Translating the embodied intelligence of peacebuilding into code: semiotic operation. I'm capturing insights from mediation which I learned in traditional war settings (tone, silence, gesture) and translating it into usable components for product and systems designers. It's my attempt to embed care, perception, and non-linear thinking into our digital infrastructure.

Past projects:

  1. Large-scale 3D AR project recreating suppressed protests using videos and photos from citizens. Spatial memory as performance// builds immersive palimpsests of suppressed truth.
  2. Directed USB sneakernet (physically moving information/ data) documentary on abductions and subsequent violence against protesters in Kenya. Media as counter-forensics. An attempt of mine, first and foremost, to tell these stories, but also to do so by resisting the traditional technological apparatus that is associated with human rights reporting.
  3. Data visualization with textiles (Romanian embroidery): memory becomes pattern becomes living knowledge.
  4. Led transitional justice/ peacebuilding operation (post-civil war, Tigray). I was on the ground facilitating dialogues between victim groups and perpetrators of war crimes, including in occupied territory. Other work on human rights abuses in Sudan, Somalia, Libya, Kenya, Peru, Ukraine, Romania.
  5. Mediated dialogues between villages involved in post-election violence in Kenya.
  6. Mesh networks for warzones, a weaving of communication channels.
  7. Speechwriter for Prime Minister of Iceland (went to Iceland with no jacket. winter 2023)
  8. Classic car restoration

My writing is on my Obsidian. I also write for Jonathan Stray's Better Conflict Bulletin.

writing

I'd like to put all of these together through my work.

reading list

  1. Freedom from the known
  2. Jagua Nana
  3. Blood Meridian
  4. Skin Prayer by Doug Rice
  5. Love in the Void
  6. Heidegger for Architects
  7. How We Became Posthuman
  8. Unthought
  9. A streetcar named desire
  10. Language as Ideology
  11. Beautiful losers (Cohen)
  12. White Noise
  13. The Country Between Us (forche)
  14. What you have heard is true (forche)
  15. Evidence of things not see
  16. Labyrinth
  17. Blindness (saramago)
  18. The ecstasy of communication
  19. As consciousness is harnessed to flesh
  20. A short history of Decay
  21. History and utopia
  22. Didion. several books: Year of magical thinking, White Album, Slouching towards Bethlehem, South and West
  23. Against Interpretation
  24. On the Road
  25. Motorcycle diaries
  26. Sheltering sky
  27. Nausea (Sartre)
  28. Écrits
  29. the time of the doves
  30. the years (ernaux)
  31. Getting Lost (ernaux)
  32. Lispector: Agua Viva, The Passion According to G.H.
  33. the atrocity exhibition
  34. A pattern language
  35. In search of lost time
  36. Chekov's life in letters
  37. V Woolf, "The Moment" , "The Unwritten Novel"
  38. Robert Walser, "Kleist in Thun"
  39. Paul Goodman,"Minutes Are Flying"
  40. Laura Riding, "Last Lesson in Geography"
  41. ['Tommaso.] Landolfi, " W.C."
  42. Calvino, "The Distance of the] Moon" (from Cosmicomics)
  43. Beckett, "The Expelled"
  44. Barthelme, "The Balloon"
  45. Eliade, Sacred and the Profane
  46. Philip Roth, "On the Air" [Roth's story published in New American Review in 1970)
  47. John Ashbery, "Prose Poem"
  48. John Barth, "Title" or "Life-Story"
  49. Elizabeth Hardwick, "Prologue"
  50. Bruno Schulz, "Hourglass" or "The Book"
  51. Borges, "Pierre Menard"
  52. Garcia Márquez
  53. Crying of lot 49
  54. franz kafka and michel foucault power resistance and the art of self-creation
  55. When we cease the understand the world by benjamin labatut
  56. Portrait of Fryderyk in Shifting Light, Siken
  57. The Key to my neighbors house
  58. Discipline and Punishment
  59. The origin of consciousness in the breakdown of the bicameral mind
  60. The Work of Art in the Age of Mechanical Reproduction by walter benjamin
  61. underworld by delillo
  62. history and utopia by CIORAN
  63. human ecology (campbell)
  64. ideas and information (penzias)
  65. cybernetic revolutionaries
  66. elbow room (dennet)
  67. history of mathematics in africa
  68. breaking the spell
  69. light years
  70. humorless ladies of border control (punk in eastern europe and mongolia)
  71. underworld (delillo)
  72. human ecology
  73. swahili: stray truths
  74. collected essays and criticism celement greenberg
  75. manifesto of transdisciplinarity
  76. the power broker: biography of robert moses
  77. notes on complexity
  78. all desire is a desire for being
  79. nostalgia (eliade)
  80. sontag's full rolling stones interview
  81. believe nothing until it is officially denied
  82. african art as philosophy (diagne)
  83. Wangari Maathai autobiography
  84. Dennet's "I've Been Thinking"
  85. The republic (plato)
  86. Paul Celan's Memory Rose into Threshold Speech
  87. Atrocity Exhibition
  88. Brainstorms
  89. What have you left behind?
  90. Seeing is forgetting the name of the thing one sees
  91. Pedro Paramo
  92. Monsieur Teste
  93. Memory rose into threshold speech
  94. The future of Nostalgia
  95. How to spell the fight
  96. Objectivity